Soil Dogs

+ Ceramics
+ VLF and Seismic recordings
+ Geophone

The installation “Soil Dogs” explores the relationship between canines and seismic activity. Through a combination of ceramics, geo-acoustic and electromagnetic recordings, Soil Dogs connects the assumed earthquake warning signs to the local soil of Taiwan. A soil that has been shaped and is constantly reshaped by the seismic fluctuation of the island situated on the fault line between the Eurasian and Philippine Sea plates.


High Voltage Waggle Dance

+ Glass pods
+ VLF recordings
+ Boat chains

High Voltage Waggle Dance uses VLF-recordings to cultivate a patient, sensory attentiveness to the visible and invisible energy-ecosystems within the atmosphere, the earth, and the more-than-human actors inhabiting it. The piece includes the crackling and whistling of lightning bolts, time-stretched signals of bees interacting with the receiver’s antenna, and recordings of electro-communication within the hives tended by the Slovenian beekeepers.



+ Organ pipes
+ Sensors
+ Drone motors

The Waddenorgel, or Organ of the Wadden Sea, is a sound installation consisting of sixteen organ pipes that react to the gape width and heartbeat of a single mussel lying in the Wadden Sea. Created in collaboration with the Waddenacademie and the Oerol festival, the Waddenorgel offers new practices of listening in order to get a deeper understanding of the mussel as a vital part of the oceans’ ecosystem. 


Distance as Object

+ Postcard
+ Envelopes
+ Global postal service

Starting of as an experiment in interpersonal communication across the 52nd parallell, Distance as Object encountered opposition at the Polish border when the unlawful invasion of Ukraine by Russia resulted in a halt of all postal communications towards Russia. The postcard, traveling along the same latitutde line from Utrecht to Berlin, Warsaw, Atka, Saskatoon, and Limerick, hence had to skip its port in Irkutsk. The absence of the Russian stamp is a stark indicator of the postcard’s proximity to war. 
Sound of the North Sea

+ North Sea water
+ Aquarium
+ Speaker

In Sound of the North Sea a piece of music, composed using data measured in the North Sea, can be heard in the waters of that same sea. The aquarium is filled with North Sea water and an underwater speaker is placed at the bottom, transforming the aquarium into a conductor of sound waves. The installation is experienced by submerging ones head, thus transforming the audience from a passive onlooker into an active performer.